icon of a paper next to Apply online text
open door next to gray writing "Visit"
Small icon next to white bg says "Give"

UMass Dartmouth faculty Thomas Stubblefield

Banner for Art History Program


Recent Works

9/11 and the Visual Culture of Disaster book cover

9/11 and the Visual Culture of Disaster. Bloomington: Indiana University Press, 2014.


Selected Essays:

“In Pursuit of Other Networks:  Drone Art and Accelerationist Aesthetics.”  In Life in the Age of Drones, edited by Caren Kaplan and Lisa Parks, Durham, NC: Duke University Press (under review).

“The City From Afar: Urbanization and the Aerial View in Alvin Coburn's The Octopus.” In Journal of Urban History (forthcoming)

“The Home after Interiority: Postmodernism, Photography and the Domestic Sphere.” In Home: Concepts, Constructions and Contexts, edited by Kathy-Ann Tan and Cecile Sandten, Trier, Germany: Wissenschaftlicher Verlag Trier (forthcoming).

“The Camera as Corrective: Post-Photography, Disaster Networks and the Afterimage of Hurricane Katrina.” In 10 Years After Katrina: Critical Perspectives of the Storm’s Effect on American Culture and Identity, edited by Mary Ruth Marotte and Glenn Jellenik, New York, NY: Rowman and Littlefield, (forthcoming).

"In the Pursuit of an Outside: Art Speigelman's In the Shadow of No Towers and the Crisis of the Unrepresentable." In After NAFTA: Contemporary North American Dystopian Literature.  Edited by Brett Josef Grubisic, Tara Lee and Gisèle M. Baxter , Waterloo, Ontario:  Wilfrid Laurier University Press, 2014. 

“Ars Oblivionalis: Umberto Eco and Erasure.”  In Theorizing Visual Studies: Writing through the Discipline, edited by James Elkins, New York: Routledge, 2013.

“Do Disappearing Monuments Simply Disappear? The Counter-Monument in Revision." Future Anterior 8, no. 2(Winter 2011).

"Two Kinds of Darkness: Jean-Luc Nancy and the Community of Cinema." In Canadian Journal of Film Studies 19, no.2 (2010).