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CATEGORIES:College of Arts and Sciences,Thesis/Dissertations
DESCRIPTION:Advisor - Dr Christopher Clinton Committee members - Dr. Denise
  Baxter, Dr Mark Paige Abstract - This autoethnographic dissertation argue
 s that the absence of art education from Pakistan’s formal education pol
 icies is not an oversight but a durable governance architecture rooted in 
 colonial epistemology and reproduced through curriculum, examinations, and
  teacher credentialing. Since 1947, art education is positioned as cultura
 l symbolism rather than state-accountable knowledge—rarely mandated, exa
 mined, or resourced at scale. Integrating analytic autoethnography with in
 terpretive policy analysis and a bounded South Asian regional comparison, 
 the study introduces Disciplined Liminal Otherhood (DLO), a framework for 
 analyzing how colonial institutional design, postcolonial policy absence, 
 neoliberal market logics, and digital platform dependencies converge to pr
 oduce learners who are credentialed within Western frameworks yet epistemi
 cally displaced from indigenous knowledge systems. Analysis of Punjab’s 
 federal-to-provincial policy pipeline identifies a three-stage curricular 
 mechanism—compulsory installation, elective containment, and bureaucrati
 c erasure—rendering art education structurally invisible in curriculum, 
 examinations, and teacher preparation. Pakistan’s 2024 National Educatio
 n Policy Draft Framework devotes eighty-seven pages to educational reform 
 without mentioning art education once. The dissertation proposes a graduat
 ed decolonial intervention model, arguing that decolonization requires epi
 stemological transformation rather than institutional reform alone.\nEvent
  page: https://www.umassd.edu/events/cms/phd-dissertation-defense-by-aneek
 a-ehsan-cheema-.php
X-ALT-DESC;FMTTYPE=text/html:<html><body><p>Advisor - Dr Christopher Clinto
 n</p>\n<p>Committee members - Dr. Denise Baxter\, Dr Mark Paige</p>\n<p>Ab
 stract - This autoethnographic dissertation argues that the absence of art
  education from Pakistan’s formal education policies is not an oversight
  but a durable governance architecture rooted in colonial epistemology and
  reproduced through curriculum\, examinations\, and teacher credentialing.
  Since 1947\, art education is positioned as cultural symbolism rather tha
 n state-accountable knowledge—rarely mandated\, examined\, or resourced 
 at scale. Integrating analytic autoethnography with interpretive policy an
 alysis and a bounded South Asian regional comparison\, the study introduce
 s Disciplined Liminal Otherhood (DLO)\, a framework for analyzing how colo
 nial institutional design\, postcolonial policy absence\, neoliberal marke
 t logics\, and digital platform dependencies converge to produce learners 
 who are credentialed within Western frameworks yet epistemically displaced
  from indigenous knowledge systems. Analysis of Punjab’s federal-to-prov
 incial policy pipeline identifies a three-stage curricular mechanism—com
 pulsory installation\, elective containment\, and bureaucratic erasure—r
 endering art education structurally invisible in curriculum\, examinations
 \, and teacher preparation. Pakistan’s 2024 National Education Policy Dr
 aft Framework devotes eighty-seven pages to educational reform without men
 tioning art education once. The dissertation proposes a graduated decoloni
 al intervention model\, arguing that decolonization requires epistemologic
 al transformation rather than institutional reform alone.</p><p>Event page
 : <a href="https://www.umassd.edu/events/cms/phd-dissertation-defense-by-a
 neeka-ehsan-cheema-.php">https://www.umassd.edu/events/cms/phd-dissertatio
 n-defense-by-aneeka-ehsan-cheema-.php</a></a></p></body></html>
DTSTAMP:20260407T165417
DTSTART;TZID=America/New_York:20260424T100000
DTEND;TZID=America/New_York:20260424T120000
LOCATION:CVPA 107
SUMMARY;LANGUAGE=en-us:PhD Dissertation Defense by Aneeka Ehsan Cheema 
UID:0f5da42be01ffb22809bb98bed5a018a@www.umassd.edu
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