Virtual Artist Talk 7:00 pm introduced by the guest speaker and artist María Magdalena Campos-Pons. Register on the 2021 MFA Thesis Exhibition webpage.
About María Magdalena Campos-Pons
María Magdalena Campos-Pons was born in in 1959 in the province of Matanzas, in the town of La Vega, Cuba. She grew up on a sugar plantation in a family with Nigerian, Hispanic and Chinese roots. Her Nigerian ancestors were brought to Cuba and enslaved in the 19th century. The family passed on traditions, rituals, and beliefs. Her polyglot heritage profoundly influences Campos-Pons’ artistic practice, which combines diverse media including photography, performance, painting, sculpture, film, and video. Her work is autobiographical, investigating themes of history, memory, gender and religion and how they inform identity. Through deeply poetic and haunting imagery, Campos-Pons evokes stories of the Trans-Atlantic slave trade, indigo, and sugar plantations, Catholic and Santeria religious practices, and revolutionary uprisings.
In the late 1980s, Campos-Pons taught at the prestigious Instituto Superior de Arte in Havana and gained an international reputation as an exponent of the New Cuban Art movement that arose in opposition to Communist repression on the island. In 1991, she emigrated to Boston, where she resided and taught at SMFA until 2017.
Campos-Pons has had solo exhibitions at the Museum of Modern Art in New York, the Indianapolis Museum of Art, the Peabody Essex Museum, and the National Gallery of Canada, among other distinguished institutions. She has presented over 30 solo performances commissioned by institutions including the Guggenheim and The Smithsonian’s National Portrait Gallery. She has participated in the Venice Biennale, the Dakar Biennale, Johannesburg Biennial, Liverpool Biennial, Havana Biennial and Documenta14, the Guangzhou Triennial and is included in Pacific Standard Time: LA/LA and Prospect 4 Triennial. In October 2017 she received the Cornelius Vanderbilt Endowed Chair of Fine Arts at Vanderbilt University in Nashville, Tennessee.
Campos-Pons’ works are in over 30 museum collections including the Smithsonian Institution, The Whitney, the Art Institute of Chicago, the National Gallery of Canada, the Victoria and Albert Museum, the Museum of Modern Art, New York, The Museum of Fine Arts, Boston, the Perez Art Museum, Miami and the Fogg Art Museum.
Campos-Pons in 2004 co-founded a Boston art space, GASP, a gallery that encourages artistic exchanges and collaborations in order to understand the contemporary cultural landscape. In 2007, she was featured in a major solo exhibition at the Indianapolis Museum of Art, Everything Is Separated by Water: María Magdalena Campos-Pons. In 2018 she launched EADJ Engine for Art Democracy and Justice at Vanderbilt University. Campos-Pons project intermittent Rivers in Matanzas 2919 was highlighted as one of best curatorial events in 2019. Monserrate College of Art awarded Campos-Pons a Dr Honoris Causa in 2017.