faculty
Allyn Phelps
Assistant Teaching Professor
Music & Theater Arts
Music EducationContact
508-910-4032
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College of Visual & Performing Arts 211
Education
| 2024 | Boston University | Doctor of Musical Arts |
| 2012 | Boston University | Master of Music |
| 2007 | University of Massachusetts Amherst | Bachelor of Music |
Teaching
- Music Education
- Music Fundamentals
- Contemporary Music
- Capstone Recital/Project
- Qualitative Research in Education
Teaching
Courses
Students and faculty analyze and debate the various roles and responsibilities of the public school superintendent in managing and leading change at the District Level. The colloquium will include topics such as developing and communicating a mission and vision for the school district: promoting appropriate uses of instructional technologies; developing and implementing professional development plans to improve student learning; encouraging experimentation and evaluation of new pedagogical approaches; community relations, professional accountability, district maintenance and operations, relationships with other school districts and educational agencies; and assuring high academic expectations for students and teachers. Students will also analyze and debate the relationship with the school boards and committees as well as politicians and their potential conflictive and contributive relationships with them.
Work on a specific dissertation topic searching interconnected previous and contemporary research. The course will help students develop a formal dissertation proposal that includes a draft of all parts of the dissertation.
Application of cumulative understanding and skills designed in the proposal. The seminar will help students to make a realistic transition from coursework to dissertation. They will master all the literature review mechanisms as well as methodological perspectives appropriate to the proposal's conceptual framework.
Instruction in guitar for students of all levels. No prior experience is required. Classes alternate between group lessons and individual practice to develop basic guitar technique and finger dexterity. Students will learn to play simple, notated melodies, gain fluency in fundamental chord fingerings and strumming patterns for accompaniment, study selected performance literature, and explore songwriting. Curriculum will be adjusted based on each student¿s prior experience and individual needs. The course may be repeated for credit up to four times.
Introduction to digital music notation software and music theory fundamentals. The course will include the setup and use of notation software and MIDI technology for the purposes of note entry and playback of scores. Elements of music fundamentals will be integrated into the course design to better prepare students for subsequent music theory and skills courses. The topics of music fundamentals (such as notation of pitch and rhythm, scales, intervals, triads, and Seventh Chords) and skills (solfege singing, rhythm performance, and conducting) will be introduced and reinforced through active music-making and the practice of digital notation.
Second in four-course music education sequence. Students will engage with ideologies required for initial music teaching license in Massachusetts. National, state, and district-based standards will be studied, and students will begin developing evidence-based music-teaching practices, and explore anti-racist, culturally sustaining, social and emotional, accessible, and inclusive practices and pedagogies. Twenty hours of outside observation required. Music majors or instructor permission.
Small performing organizations devoted to the music repertoire of all stylistic periods.
A fifteen-week full-time classroom experience under the direction of the university music faculty and cooperating classroom teachers.
Under supervision of the appropriate applied faculty member and major advisor. The first semester and part of the second are to be spent in preparation for a capstone project which may take the form of a recital or formal presentation of the culminating work of the undergraduate experience. Course previously named Senior Recital l and ll.
Under supervision of the appropriate applied faculty member and major advisor. The first semester and part of the second are to be spent in preparation for a capstone project which may take the form of a recital or formal presentation of the culminating work of the undergraduate experience. Course previously named Senior Recital l and ll.
Teaching
Online and Continuing Education Courses
Students and faculty analyze and debate the various roles and responsibilities of the public school superintendent in managing and leading change at the District Level. The colloquium will include topics such as developing and communicating a mission and vision for the school district: promoting appropriate uses of instructional technologies; developing and implementing professional development plans to improve student learning; encouraging experimentation and evaluation of new pedagogical approaches; community relations, professional accountability, district maintenance and operations, relationships with other school districts and educational agencies; and assuring high academic expectations for students and teachers. Students will also analyze and debate the relationship with the school boards and committees as well as politicians and their potential conflictive and contributive relationships with them.
Register for this course.
Work on a specific dissertation topic searching interconnected previous and contemporary research. The course will help students develop a formal dissertation proposal that includes a draft of all parts of the dissertation.
Register for this course.
Application of cumulative understanding and skills designed in the proposal. The seminar will help students to make a realistic transition from coursework to dissertation. They will master all the literature review mechanisms as well as methodological perspectives appropriate to the proposal's conceptual framework.
Register for this course.
Research
Research interests
- Self-directed musical learning
- Anti-racism and deconstructing whiteness in music classrooms
Dr. Allyn Phelps is an assistant teaching professor in the Music and Theatre Arts department at the University of Massachusetts Dartmouth. He directs the music education concentration and the contemporary music ensemble, teaches courses in music education methods, curriculum, and music fundamentals, and supervises student teaching. He is also an affiliate faculty member in the School of Education, where he teaches courses in the Doctor of Education in Educational Leadership (EdD) program and supervises dissertations.
Dr. Phelps holds a Bachelor of Music from the University of Massachusetts Amherst, and a Master of Music and Doctor of Musical Arts in music education from Boston University. Before entering higher education, Dr. Phelps taught K–6 general music, chorus, and drama in Massachusetts. He was consistently inspired by how musical his young students were. He also found significant meaning in working with future music teachers who came to his classroom to observe, intern, and student-teach, which led him to shift his career toward teacher education.
Dr. Phelps's dissertation explored the intersection of self-directed education and the deconstruction of Whiteness in elementary music classrooms. His research and teaching are mutually reinforcing; both seek to disrupt inequitable systems and imagine more inclusive possibilities for music learning. Dr. Phelps is constantly experimenting and pushing boundaries.
Dr. Phelps is a recipient of the Lowell Mason Award and the Donna Nagle Award for Excellence in General Music from the Massachusetts Music Educators Association. He serves as an associate editor for the International Journal of Education and the Arts. In 2025, he served as Acting Department Chair for Music and Theatre Arts.
Outside of academia, you'll find him in a theater pit playing piano or bass, music directing children's theater, drawing, reading, singing Joni Mitchell songs with his guitar, playing bass in a rock band, playing banjo in a bluegrass band, or zipping around his home city of Providence on an electric scooter.