faculty

William Riley

Lecturer

Music

classical guitar

508-999-8568

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College of Visual & Performing Arts 204

Education

1999New England ConservatoryM.M.
1997University of Texas at AustinB.M.

Teaching

  • Classical Guitar
  • Music Skills
  • Intro to Music
  • Chamber Music
  • Class Guitar

Teaching

Programs

Teaching

Courses

Presents a basic music vocabulary and develops intelligent discrimination in the listener through study and analysis of outstanding works from Gregorian Chant to the present, including music of diverse cultures. Emphasis is also placed on the relationship of the historical development of music to parallel movements in art, drama, philosophical thought, etc.

Presents a basic music vocabulary and develops intelligent discrimination in the listener through study and analysis of outstanding works from Gregorian Chant to the present, including music of diverse cultures. Emphasis is also placed on the relationship of the historical development of music to parallel movements in art, drama, philosophical thought, etc.

Presents a basic music vocabulary and develops intelligent discrimination in the listener through study and analysis of outstanding works from Gregorian Chant to the present, including music of diverse cultures. Emphasis is also placed on the relationship of the historical development of music to parallel movements in art, drama, philosophical thought, etc.

Weekly private lessons.

Weekly private lessons.

Continuation of MUS 109 and 110

Continuation of MUS 109 and 110

First of a four-course sequence presenting foundational concepts and skills in music theory, ear-training, and keyboard work.  Comprehensive musicianship I explores the underlying grammar and elements of musical structures in diatonic harmony.  The topics covered in this course may include the construction and identification of notes, key signatures, intervals, scales, rhythms, and chords. A combination of written exercises, sight-singing, ear-training and keyboard work will be utilized enhance students' abilities to write, hear and perform music.

First of a four-course sequence presenting foundational concepts and skills in music theory, ear-training, and keyboard work.  Comprehensive musicianship I explores the underlying grammar and elements of musical structures in diatonic harmony.  The topics covered in this course may include the construction and identification of notes, key signatures, intervals, scales, rhythms, and chords. A combination of written exercises, sight-singing, ear-training and keyboard work will be utilized enhance students' abilities to write, hear and perform music.

First of a four-course sequence presenting foundational concepts and skills in music theory, ear-training, and keyboard work.  Comprehensive musicianship I explores the underlying grammar and elements of musical structures in diatonic harmony.  The topics covered in this course may include the construction and identification of notes, key signatures, intervals, scales, rhythms, and chords. A combination of written exercises, sight-singing, ear-training and keyboard work will be utilized enhance students' abilities to write, hear and perform music.

Biography

William Riley has an active career as a guitarist and educator. In 2014 he was appointed to the faculty of Longy School of Music of Bard College where he teaches classical guitar and chamber music. Since 2000 he has been a faculty member and Director of Classical Guitar studies at the University of Massachusetts Dartmouth. He is also on the music faculty at New England Conservatory Preparatory School and Wheaton College.

As a guitarist, Riley has won first prize and been a finalist and semi-finalist in several national and international solo competitions, including: the ECU National Guitar Competition 2000 in Greenville, NC; the 10th International Guitar Competition at the Portland, OR Guitar Festival; and the 2001 Guitar Foundation of America International Competition in La Jolla, CA.

 A frequent performer as both a soloist and chamber musician, William Riley has also recorded and premiered several new works for solo guitar, including Remembrances of Jerusalem by Israeli composer Lior Navok, for which he was praised for his “insightful playing” by Classical Net and called a “fine soloist” by American Record Guide. His transcription and recording of Enrique Granados’ Spanish Dance No. 12 is featured on that composer’s Wikipedia page. In 2005 he appeared as a soloist on the Juilliard School’s “Composer’s Series,” and for the New York Young Musician’s Forum, giving the world premiere of Kati Agocs’ Secret Gardens for solo guitar. In 2009, Mr. Riley recently arranged and recorded the music for a hardcover book and CD of lullabies and art from the Pearl Fincher Museum of Fine Arts in Houston, Texas, with lyric soprano Stephanie Northcutt. Chamber music recitals include appearances with Music at Eden’s Edge; Monadnock Music; Gloria Dei Cantores; performances for the Noon Concert Series at the Boston Athenaeum; King’s Chapel Noon Series; and a performance on the “First Monday at Jordan Hall” Concert Series, among many others.

Riley was a founding member of the Quadrivium Guitar Quartet, which embarked on a 40 concert outreach tour in rural Kentucky schools in 2002, funded by a grant from the National Endowment for the Arts, performing for over 10,000 students. More recently he has served as a competition judge for the Boston GuitarFest International Solo Competition, Boston GuitarFest Youth Competition, the Northeast Guitar Festival, and concerto and solo competitions at the Longy School of Music. In 2010 he joined the board of directors for the Boston Classical Guitar Society, where he now serves as newsletter editor, and was also recently elected a Trustee of that organization. During the summer Riley serves as a Co-Director for the Young Guitarist’s Workshop as part of Boston GuitarFest.

William Riley holds a Bachelor of Music degree, cum laude from The University of Texas at Austin, where he studied with Adam Holzman. He then received a scholarship to study with world-renowned guitar virtuoso Eliot Fisk at the New England Conservatory, where he earned his Master of Music degree, with honors.

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